Polishing
by David Mohan
When my mother polished, Claire and I hid upstairs.
It only happened sometimes, in time for visitors – she wasn’t house-proud. But the polishing, when it happened, was something else. We’d hear her march down the hall, after a morning of, ‘I’m sick of this place – living in filth.’ Then she’d go on, ‘If your father thinks this’ or ‘If your father thinks that.’ You knew what was coming when she made her hands into fists.
If we dared to sit on the stairs and watch her, we’d witness her rags in one hand, her spray can in the other, and her sleeves rolled up ready to work. She’d put on a scarf over her hair.
Our gran would throw up her eyes and mutter, ‘You’d think it was a fumigation, all that bother.’
Then you heard the blasts. I thought of my comic books – of matter being vaporised. Then the smell came. It was meant to be lemons, and my mother would go on sometimes about the scent of the Mediterranean, but to me it was a heady smell like turpentine or something kids sniffed on the back of the bus.
Next, she came upstairs, victorious in the wake of her scent. We raced ahead of her and loitered at door jambs, pretending boredom. She pottered about on the landing, wiping the cabinet with huge swoops of her arms until the dark wood gleamed.
Soon, caught up in her energy, we’d follow at her heels. We watched her progress as she transformed everything into something untouched by greasy hands.
And it didn’t matter then that everything else was falling to ruin – the scrapyard back garden, the piles of washing, the dinners never made, the rows with dad. When we caught that scent and saw that gleam we believed everything she believed and knew she had been right all along.
‘There now,’ she’d say, smiling, satisfied. ‘That’s the sort of house we want to live in.’
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David Mohan is a poet and short story writer based in Dublin, Ireland. He came second in the 2009 Sean O’Faolain International Short Story Award and won the 2008 Hennessy/Sunday Tribune New Irish Writer Award. He has had stories published in Southword, The Stinging Fly 2010 anthology, Contrary and the 2010 Binnacle anthology.
posted by Ethel Rohan
Ethel Rohan is our March 2011 Writer In Residence. Raised in Ireland, Ethel now lives in San Francisco. She received her MFA in fiction from Mills College, CA. She is the author of the story collection, Cut Through the Bone, long-listed as a 2010 notable collection by The Story Prize. A second story collection, Hard to Say, is forthcoming later this year. She blogs at ethelrohan.com.Our Writer In Residence is invited to spend a month onsite sharing fiction, interviews, reviews, ideas, or an ongoing project of some kind.
Past Residents:
Amber Sparks
Brian Kiteley
Ethel Rohan
First Footing
Gina Frangello
Origin Stories
Jess Stoner
Jeff Vande Zande
Kevin Fanning
Kathy Fish
Michelle Bailat-Jones
Matt Briggs
Peter Grandbois
Roxane Gay
Robert Kloss
Terri Griffith
Tim Horvath
William Walsh
On The Blog
Michelle Bailat-Jones reviews Echolocation by Myfanwy Collins (Engine Books, 2012).
In this week’s Research Notes, Megan Stielstra describes the lengths — and depths — she went to for the sake of a story.
Matt Baker and Mel Bosworth discuss their recent projects in hypertextual fiction.
Susan Jupp reviews Laikonik Express by Nick Sweeney (Unthank Books, 2011).
In this week’s Research Notes, Ben Nadler reflects on writing about military experience, without having military experience of his own.
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