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The Last Straw

“You’re a corn stalk in a field of soybeans,” he says. This, from a most vulnerable position, down on one knee, peering up at the cheer captain. In his open palm he’s holding a Ring Pop. It’s still in the packaging. “Ew,” she replies, with a sideways glance. By now a small end-of-the-day crowd has…

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Recent posts

  • An Interview with Chandra Grace Johner

    As a lover of the retelling of history to promote the female gaze and/or reshape a less sexist heroine, and of travel writing in general, I picked up Chandra Grace Johner’s debut collection Naked in Turkey (AOS Publishing).


  • How We See the Gray

    How We See the Gray, Rachel León’s debut novel, immerses the reader in the child welfare system. At one point, the team of social workers looks at mugshots online and plays a game to guess what each person did to end up in jail. The team genuinely cares about their work; they are just blowing…


  • A Little Water

    My mother always says, “A little water never hurt anyone.” She means, don’t worry if you get caught in the rain. You’re not made of sugar. You won’t melt. She means, don’t worry if you knock over your water glass at that fancy restaurant on your second date, and the glass breaks and soaks the…


  • An Interview With Jon Hickey

    Jon Hickey’s debut novel Big Chief (Simon & Schuster) tackles political corruption and family ruptures on the Passage Rouge reservation in the Northwoods of Wisconsin where Mack Beck, a reservation president who looks the part with “that long hair, that immovable mountain mass, the beadwork medallions and satin ribbon shirts” (15-16), but is only a…


  • The Perfect Circle

    Having neither a beginning nor an end, a perfect circle is continuous—a loop made of points equidistant from a fixed center. How fitting, then, that Claudia Petrucci’s The Perfect Circle, translated from the Italian by Anne Milano Appel, resists a singular beginning. Instead of starting from a single point in time, the novel cycles between…


  • Annie & I

    A-Side: “Can’t Feel My Face” – The Weeknd – Beauty Behind the Madness


  • The Past Pursues Us Like Detectives, Debt Collectors, Thieves

    In migration tales, a distinction prevails between those called “immigrants” and others known as “expats.” The latter are usually white and rich, or at least, richer than immigrants. Implicit in their privilege is the fact that desire, not need, has compelled them to leave their home countries. They can also choose to travel between their…


  • Flowers

    I got in the car with the girls after the ceremony. They were as talkative as ever; Stephanie may have been more talkative than usual. I told myself it was a defense mechanism—that it helped them cope with the loss or made them feel like they had some level of control, even if it was…


  • If You Think Your Heart Can Take It

    Often told in women’s voices, McConnell’s stories in this collection range in time from the 1930s to the Covid-19 pandemic and take place in a transatlantic world, ranging from Italy and Puerto Rico to California, New York City, and the American Midwest. While McConnell’s women sometimes find themselves through their lovers, they also strive for…


  • Your Regularly Scheduled Programming 

    The apartment wakes him with gentle cheer. The shower washes him, the closet dresses him, the kitchen has his breakfast ready on the counter when he walks out. Scrambled egg whites, a slice of whole wheat toast and a single link of sausage. He compliments the apartment on the spread. The apartment accepts the compliment…